Contrast mode

06.12.2025 – 03.05.2026

“Dance your life / Dance yourself

Dance becomes art, 1892 to 1933. Part 2: Highlights

Around 1900, the new artistic dance not only liberated the body from the corset and all convention. It became subjective, emotional, free and claimed to be an independent art form. The 1920s became the zenith of expressive dance. Important dancers founded an entire network of dance schools, experimented with large amateur formations and established dance congresses.

Emil Pirchan (1884 -1957), Wein-Wunder. Ein Spiel in Sinntänzen, Berlin 1918, aquarellierte Kreidelithografie, Städtische Sammlungen Neu-Ulm
Ludwig Kainer (1885 -1967), Plakat „Valeska Gert“, 1917

The new dance conquered in the long run the theater and opera stages. Group dancing increasingly replaced the initial solo dance.

Hans Robertson (1883 -1950), Rudolf von Laban, Die grünen Clowns, um 1928, Fotografie, Privatbesitz

More and more artists became involved with its forms of movement and saw modern dance concepts as a parallel to their own reflections on the turbulent years of the Weimar Republic. There are tendencies towards abstraction as well as dance as kinetic sculpture. At the same time, dance depicted the fundamental questions of human destiny, was socially critical and political or religiously spiritual. The Edwin Scharff Museum will be tracing this exciting dialog for the first time with this exhibition.

Ottilie Wollmann (1882 – 1944), Dynamischer Tanz (Tänzerin Gret Palucca), 1928, Bronze, H 24,8 cm, Städtische Sammlungen Neu-Ulm, Foto: Nik Schölzel

Stay connected

We would be happy if you subscribe to our newsletter.